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The Caffé Lavena
is a meeting place for illustrious Venetian guests and
tourists, and has always actively participated in the
cultural life of Venice, experiencing the most important
historical events in the city during the 18th and 19th
centuries.
Originally the Café was called Regina d'Ungheria
(the Queen of Hungary), when Venice was subject to the rule
of the Austro-Hungarian Empire; it was later named Orso
Coronato (the Crowned Bear), due to the picturesque sign
depicting a bear with a crown on its head, standing on its
hind legs.
At that time, the Venetians called it Caffè dei Foresti
(the Foreigners' Café), because it was frequented by a mainly
international clientele and was the meeting place in the Square
for anyone who did not know how to orient themselves among
the Venetian calli (i.e. alleys). For this reason, the codegas,
gondoliers, dry land porters and those who guaranteed transportation
in the city, especially in the evenings, stationed themselves
outside the café. They accompanied the foreign clients of
the Lavena to their homes, through the dark meanderings of
the Venetian canals, by the light of their typical hand-held
lanterns. The codegas, in effect, may be considered the first
tourist guides with an international clientele in the city.
But it was Carlo Lavena,
who bought the café in 1860, that gave prestige to
this "coffee boutique". He changed the name of the business,
but was wise enough to preserve the architecture and refined
furnishings of previous ages. Thanks to his personality and
culture, a wide circle of artists and musicians were attracted
to the Café, including the great Richard
Wagner. Additionally, thanks to his fame as a
baker, he made the Café famous even abroad, exporting his
sweets throughout Europe.
Today, the Caffé Lavena is on the Italian
Historical Places of Italy, with its precious
furnishings and magic atmosphere, which still exists inside
and outside the café, where guests are invited to experience
the illustrious past and the popular traditions
of Venice, among the tables that face the mosaics of St. Mark's
Basilica. |
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